"Cio-Cio-San"  State Opera South Australia

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 'Gave herself to us... in such a way that there was nothing else happening in the world...'

 

Adrian Barnes, Glamadelaide

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'Pure, expressive and soaring soprano that makes light work of the most challenging of Puccini’s arias.'

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Katherine Arguile, Indaily 

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"Liù" Sydney Opera House

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 'Wonderfully warm expressiveness... holding the audience breathlessly on edge...'

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Peter McCallum, Sydney Morning Herald

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 'Vibrant clarity and youthful resonance...'

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Chantal Nguyen, Bachtrack

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 "Cio-Cio-San" Madama Butterfly, QPAC Brisbane

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'Uutterly magnificent... utterly astonishing... her powerful performance is a masterclass in good opera acting.'

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Nathanael Cooper, Brisbane Times

 

 'Brought youth, passion and vulnerability... The audience could barely contain the tears...'

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Peter Pinne, Stage Whisper

 

 

"Liu" Turandot, Sydney Harbour

 'Powerfully effective... caused the audience member next to me who was new to this opera to gasp out loud.'

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Clive Paget, Limelight Magazine  

 

 'Brings a wealth of experience... losing nothing of the freshness, the pathos  and  the steely determination...'

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Shamistha de Soysa, Sounds Like Sydney

 

'Simply divine... Sings with perfect tenderness and clarity, making her tragic scene in the final act all the more incredible.'

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Alana Kaye, Talking Arts

   

'Yet again perfectly captures the sweet heartbreak of her role with such a heartachingly beautiful voice.'

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Kat  Czornij, Opera Review

   

'Haunting simplicity and beautiful expressive pathos... the most dramatically affecting moment of the night.'

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Peter McCallum, Sydney Morning Herald

                      

 

 "Cio-Cio-San"Madama Butterfly, The Royal Albert Hall, UK

 

'Her vocal prowess was utterly lavish and bold and did not falter at Puccini’s signature arias.'

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Mary Grace Nguyen, LDN Card

 

'Strong and vibrant... a stirring performance of ‘Un bel dì’.

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Sam Smith, Music OMH 

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"Mimi" La Boheme, Opera Queensland

 

'Arching and sustained... captivating the imagination...'

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Martin Buzacott, The Australian

 

'Sublime... quietly flirtatious, subtly sexy... Truly she is a rising international star.'

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Andrew Messenger, Limelight Magazine 

    

                                                                

 “Fiordiligi”  Cosi fan Tutte, Opera Australia

 

'Breathtaking ease, long phrases, octave jumps and embellishments all perfectly judged...'

Michael Magunsso, Opera Today

                                                   

 

 “Giulietta”  I Capuleti e I Montecchi, Opera Australia

 

"Exquisitely pure tone and legato, winning the audience vote"

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Eamonn Kelly, The Australian

                                                                               

 

 “Liu”  Turandot, Opera Queensland 

 

'Tremendous vocal and dramatic presence.'

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Martin Buzacott, The Courier Mail

                        

'Achingly beautiful performance... deserving of triple bravos.'

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 Peter Pinne, Stage Whispers

                                                     

 

 “Leila” Les Pêcheurs de Perles, Opera Australia 

 

'Exquisite and fragile artistry, underlining beautiful articulation and intelligent phrasing.'

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John Slavin, The Age

 

'Thrilling... she shone with mysterious beauty in her simple white costume.'

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Sybil Nolan, The Herald Sun

 

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“Mimi”  La Boheme, Opera Australia 

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'Touching... lit through with grace and intelligence.'

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Deborah Jones, Opera Opera

                                                                                 

 

 “Liu”  Turandot, Opera Australia

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 'Provided the most touching moments with precision and colour softened by warmth.'

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Peter McCallum, Sydney Morning Herald

 

'... Sang with irresistible voluptuousness, and died with dignity...'

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David Gyger, Opera Opera

 

 

“Alcina” Alcina, Opera Australia

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'Aplomb the proliferation of fiendishly demanding arias which is Alcina’s lot, and slotted into the stage action seamlessly...'

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 David Gyger, Opera Opera

 

“Nanetta” Falstaff, Opera Australia

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'One of the best...'

The Sun-Herald

 

'Stole the show... with exquisite singing that was of a heart-stopping quality.'

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 Roger Knight, State of the Arts

                                                           

                                               

 Stabat Mater, Rossini,Orchestra e Coro Verdi, Milan

 'Bravo il Soprano nell’<<Inflammatus et Accensus>>, dove la sua voce precisa ha saputo ben avvolgersi attorno alle volture corali senza lasciarsene catturare.'

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Paolo Tarallo, Corriere della Sera

 

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